Archive for May, 2009

Bedtime Moments

Saturday, May 9th, 2009

Bedtime is usually one of the sweetest times of the day around here, and
while most nights we do eat dinner as a family, it is the one time
during the day when the girls get to hang out with Daddy (and Mommy
too.)

Twice this week, the scenes have caught my attention especially for
their sweetness factor, and both of them represent my kids'
personalities well. Sophie is the ultimate cuddler, and Julie and Joe
reading side-by-side is typical for them both.

Tomorrow I'll be at Shepherd's Harvest for most of the day. In the
morning I'm teaching my blankie class (one spot is left and you can sign
up at the fairgrounds in the morning if you're interested.) I have all
afternoon to see the sights and shop till I drop.

It's funny. I've been using this event as a reason to hold off buying
fiber, but I'm not feeling that uncontrollable urge to splurge yet.
We'll see how bad I fall down when under the influence of the wool
fumes.

A New Friend for Rosie

Tuesday, May 5th, 2009

I know I’ve hinted around several times about a large upcoming fiber-related purchase, and I was expecting to get my new toy at Shepherd’s Harvest, which is this coming weekend. It worked out a little differently, and instead my new friend arrived in my living room this morning.

Meet my new spinning wheel, which I’m going to call Earl after its maker, Earl Oman.

I had never heard of Earl Oman wheels until I saw one being demonstrated by Rebecca of Yarnworks at the Mall of America Knit-Out a few months ago. Yarnworks had the booth next to the Yarnery’s that day, and I kept looking at her wheel and trying to figure out what brand it was. Finally, I asked about it, and she told me the story of an elderly (late 80s or early 90s) gentleman who lives in Proctor, MN and who has been making spinning wheels by hand for practically forever.

I hardly dared to ask how much they cost, but when I did, I was shocked at the answer of only $350! As savvy spinners are aware, most individually-crafted wheels out there run at a much higher price, and often are available only after years on a waiting list. Well, Rebecca had one available for sale at her Grand Rapids, MN shop and I had her put my name on it that day. I knew I had to have one of these one-of-a-kind pieces of art.

The only trouble was that Grand Rapids is a good three hours away, and I knew it would be rough to swing a full day away in the car to pick the wheel up. Rebecca was planning to have a booth at the Shepherd’s Harvest festival, and agreed to drive my wheel down if I would let her use it as the demo wheel for her booth during the festival. No problem! Unfortunately, Rebecca’s family had a funeral to attend here in the Cities this week, which meant they weren’t going to be able to attend Shepherd’s Harvest, and instead they agreed to drop off my wheel on the way to see their family.

So I have it (him?) I know most people refer to wheels as “she” sort of like with ships, but this weel feels like a he to me, and I think Earl is a perfect name for it. Let’s look at some more pictures…

Unlike my Majacraft Rose, this is a double-drive wheel with hooks (versus scotch tension and sliders). There is only one ratio, 11:1 according to my count just now, but somehow it feels much faster.

The bobbin is held in place with two leather tabs, and unlike my Rose, it has a normal round orifice, requiring an orifice hook. The Rose has a delta orifice, and even when I use the lace orifice on the Rose, it’s short enough that I can usually just poke the thread through without the aid of a hook.

This wheel came with four bobbins, and a built-in Kate that holds two of them.

Only one treadle, which is also new to me – it takes a little more concentration to get the thing going, but once started the momentum is huge.

The wheel itself is held in place with wooden pegs, and there is the wire orifice hook hanging from one of the pegs within easy reach when I need it.

Here’s a top view of the wheel, with the two belts in the wide groove. The wheel is 22″, and the various parts are made of several different hard woods – probably some oak and maple in mine. Rebecca says that Mr. Oman gets his wood from his son, who works for either a lumber mill or yard, and gets it for either free or low cost. That’s partly how he keeps the price so low.

Rosie and Earl meet for the first time, and Daisy cat checks him out.

Oh, and of course no photo shoot is complete without a posed-toy scene thanks to Julie! The ponies apparently approve of the new addition to our household.

Here’s the back side of the wheel, and Daisy was quite interested in the fourth bobbin, which for the moment is hanging from its leader on the wheel’s handle.

Proof of where the wheel came from…

I am very excited and pleased with this purchase! I never would have thought a year ago that I’d be buying a second wheel any time in the forseeable future, but this was too good of an opportunity to pass up. Apparently, Mr. Oman himself doesn’t know how many more wheels he’ll be making, and I am glad just to have one for its looks alone, and knowing that it will likely only increase in value with age.

I wouldn’t necessarily choose this as a first wheel, as the treadling is a bit trickier than my Rose and the other double-treadle models that I’ve tried. Also, it’s not as versatile as many production wheels out there (and Rosie is quite versatile, with parts available to make her even more so). It certainly is lovely to spin on, though, and I feel somehow more authentic? or something? spinning on the kind of wheel that one sees in all the fairy-tale illustrations and that I had always visualized as a traditional spinning wheel before I actually got involved in spinning. I love that I’ll be getting experience with a totally different style of wheel than I’m used to as well.

More later, I’ve got to go play with my new toy.

Lady May

Saturday, May 2nd, 2009

The new sweater is done, and just in time for May. So, in honor of the heavy inspiration I took both from the February Lady sweater and the February Baby sweater, I’ll call it my Lady May sweater.

Let’s start with some show-off photos. The ones of me modeling it were taken by my fabulous friend and neighbor Laura.

Here’s the full front shot. I’ll admit to having Laura take it a second time so I could suck my gut to hide the muffin top, but otherwise I have to say this sweater feels incredibly flattering to me. The open front of the bottom creates a sort of upside-down V that draws the eye in and up, sort of simulating a (nonexistent for me) hourglass waistline. Plus, the bottom of the sweater is wide enough that it could button around my hips, but I think it drapes a lot better allowed to flow freely as it is.

Here’s a shoulder view that shows off both the lace and the bead details. You can see the semi-random spacing of the beads on the yoke. I decided on that pretty much intuitively as I was knitting along. In retrospect, I thought up a loftier explanation that the random scatter looks more organic to go with the leaf motif of the lace. Yeah. Really.

From the back – I did several sets of short-rows in the garter-stitch yoke to create a slightly raised neckline in the back. I tried the thing on about a million times as I was knitting up the yoke, and I decided on a wider neckline than I normally use. Somehow with this fine, drapey fabric, it just felt right.

I tried a bunch of closure ideas out both in my head and on my gauge swatch, especially several attempts at creating a beaded button built into the applied i-cord edging. None of them suited to my satisfaction, so I ended up falling back to the pewter clasps similar to the ones I used on my purple diamond sweater.

Oh! and you can also get a good look at the applied i-cord I used here. Even after slipping the first stitch every row for the selvedges, the edges looked a bit unfinished to me. Plus, I wanted to add a bit of reinforcement to the neckline. So, when the sweater was knit up, I left the neckline stitches live, started at the bottom-right front and worked applied i-cord along the button band, picking up one stitch at a time and knitting it into the cord (just like on the Blankie). Then, when I got to the neckline, I turned the corner and worked an i-cord bind-off around the neck, and continued down the other side to the bottom again.

I went to a local shop called Ingebretsen’s to pick these out – we have some similar ones at the Yarnery, but I knew that Ingebretsens’s selection would be at least as good if not even a bit better for this particular kind of clasp, plus they’re a bit closer than a trip to St. Paul. The lady in the shop told me this set was meant for doll-sized sweaters and was maybe a bit doubtful of their appropriateness for an adult sweater. I wanted the smallest, lightest ones I could find so as not to weigh the edges down any more than absolutely necessary. I can’t wait to see what the State Fair judges have to say about this particular selection, if anything!

Here’s a photo of the sweater blocking. I wanted to show this while it was wet so you can see the stripiness in the yarn better. It’s fairly subtle in the wearing, but I was nervous about it at several points during the knitting, especially that very-pink bit under the armpits.

This is not a great photo, but here I am trying the sweater on early in the yoke. You can see that the lace pattern in the body was quite crumply-bumply before blocking, and also that the hemline was a lot higher. Another strong argument for not only knitting a good-sized gauge swatch, but also for paying attention to the before-and-after measurements.

And here’s where the sweater sits now…

It looks tiny folded up on top of the stash boxes in my office closet. I’ve made up my mind to send this knit to the Fair in August, which means keeping it in pristine condition until then. I spun this yarn from merino wool, and it is a lofty yarn that will likely start pilling with not very much wear at all. I’m okay with that – it’s the very end of sweater season here now, and it will be fun to have a sparkly new sweater to wear next fall.

A couple of people have asked me whether I plan to write this pattern up. The answer, unfortunately, is probably not – to no. I knit this up with homespun yarn that would be hard to duplicate exactly, although a sock yarn like Koigu would come fairly close. I didn’t keep exact notes about every step along the way, and I’m not in the mood to do the math for various sizes. That said, I will happily give you a brief run-down on how you could knit a similar sweater for yourself.

First, you have to pick out your yarn. My yarn was sort of a light fingering weight or heavy lace weight – it’s a little slubby, and on average it’s maybe about the thickness of Koigu, although maybe Schaeffer Anne would be a better comparison, because it’s loftier than Koigu at the same thickness. I didn’t take the best of notes back when I spun this up, but judging from the scant notes that I did take and what’s left over now, I think I used about 1500 yards or so of the yarn. All those lace holes really help to make the yarn go further! Still, it’s a great idea to buy or spin more than you think you’ll use because your design ideas could change as you go, or your estimate could be way off. You can check with your LYS about their return policies, which often allow for exchanges of unused skeins. In my case, I have a couple-few hundred yards left that will make a nice scarf or something.

Next, pick out the lace pattern you want to use. There are so many stitch pattern books out there, it’s silly. Barbara Walker’s collections are some of my favorites, but in this case I used one of the japanese stitch dictionaries that I bought at the Yarnery, also available elsewhere online. Knit up a fairly large gauge swatch. I like to try out a couple of different edgings while I’m at it – maybe border the bottom and one edge with garter stitch, and the top and the other edge with seed stitch. Don’t be stingy on the gauge swatch! If you have to, you can always rip it out at the end if you run out of yarn, but otherwise hang onto it for consutling as you knit the project.

Measure your swatch before washing it. Write the measurements down. I like to measure over an entire repeat or two of the stitch pattern, then divide the gauge out of that. Wash your swatch and block it. This tells you so much! First, it tells you whether or not your yarn will wash well, how the gauge changes, how the pattern looks in real life in your yarn, whether you’re happy with the fabric you’ve created, which edging you prefer, and on and on.

Now, go measure a sweater or garment you have that fits the way you like. It needs to be the same general shape as the sweater you plan to make.

And oh, gah! is anyone still reading at this point? My children are starting to get restless, and it’s time for me to go figure out what to make for dinner. I could spend hours explaining this process. I tell you what. If anyone is really, truly interested in making a sweater like this, we can have a knit-along and I’ll walk you through it step-by-step. In the mean time, go check out Sweaters From Camp by Meg Swansen. She has a great section in the front that is just about the best ever simple sweater-designing tutorial I’ve ever seen. That one is geared more toward colorwork, but all the ideas cross over directly. There is also tons of other technique info in there, and it is one of my most commonly-referred to knitting references, and I’m not even mentioning the amazing sweater eye-candy that makes up the rest of the book.

Guess What’s Blocking?!?

Friday, May 1st, 2009

And it totally rocks. I am very excited about this sweater, and I can
hardly wait for it to dry so I can show it off.